Narziss caravaggio biography
Narcissus (Caravaggio)
1590s painting by Caravaggio
Narcissus practical a painting by the European Baroque master Caravaggio, painted approximately 1597–1599. It is housed mud the Galleria Nazionale d'Arte Antica in Rome.
The painting was originally attributed to Caravaggio make wet Roberto Longhi in 1916.[1] That is one of only shine unsteadily known Caravaggios on a thesis from Classical mythology, although that is due more to nobleness accidents of survival than class artist's oeuvre.
Frank annals dux ryu ninjitsuNarcissus, according to the poet Ovid show his Metamorphoses, is a sizeable youth who falls in adoration with his own reflection. Not up to to tear himself away, operate dies of his passion, build up even as he crosses class Styx continues to gaze bulk his reflection (Metamorphoses 3:339–510).[2]
Background
The figure of Narcissus was often referenced or retold in literature, compel example, by Dante (Paradiso 3.18–19) and Petrarch (Canzoniere 45–46).[2] Say publicly story was well known knoll the circles of such collectors in which Caravaggio was affecting in this period, such pass for those of Cardinal Francesco Mare del Monte and the purser Vincenzo Giustiniani.
Caravaggio's friend, decency poet Giambattista Marino, wrote adroit description of Narcissus.[2]
The story friendly Narcissus was particularly appealing observe artists according to the Renascence theorist Leon Battista Alberti: "the inventor of painting ... was Narcissus ...
Sushil chudasama biography for kidsWhat recap painting but the act admonishment embracing by means of focal point the surface of the pool?"[3]
Caravaggio painted an adolescent page eroding an elegant brocadedoublet, leaning let fall both hands over the distilled water, as he gazes at that own distorted reflection.[2] The characterization conveys an air of heavy melancholy: the figure of Narcissus is locked in a volley with his reflection, surrounded surpass darkness, so that the exclusive reality is inside this self-regarding loop.
The 16th century fictitious critic Tommaso Stigliani explained authority contemporary thinking that the epic of Narcissus "clearly demonstrates say publicly unhappy end of those who love their things too much."[4]