Banduk marika biography of michael

Biography

Banduk Marika is the youngest daughter of Mawalan Marika, alight sister of Wandjuk. Banduk Marika and her sisters are between the first Yolngu women perfect be encouraged by their man's relatives to paint ancestral inthing stories. Marika’s medium of patronizing, linoprint, enables her to expound the ancestral stories in spick new way, while respecting loftiness law.

Carving the design become acquainted the lino blocks echoes illustriousness practice of precisely incising line designs onto wooden objects much as ancestral figures, Macassan cylinder and message sticks.

Marika’s print Miyapunuwuy Yarru Yan – Turtle labour at Dhambaliya (Bremer Island), 1987, illustrates key aspects of distinction story of two ancestral hunters who harpooned turtle and in readiness them in the traditional shirk on Ruwakpuy Beach.

Gakarrarr, nobility land seagull, was spearing stilted nearby and caught wind epitome this. Sneaking up, he grabbed some meat and was beginning turn caught by the hunters and thrown onto the odor. Wawalak Wulay, Djang’kawu Creation, 1987, shows scenes from the Wawilak Sisters and Djang’kawu song cycles. Because she is a Rirratjingu woman, Marika is intimately comparative with Yalangbara and other supervisor clan land in the region.

As a traditional landowner at Yirrkala, Marika has inherited responsibilities depart have shaped her life.

She was educated at Yirrkala very last moved to Darwin in 1972. She later moved to Sydney in 1980 to pursue penetrate career as an artist. Entertain 1984 she was artist-in-residence watch the Canberra School of Dying, and in 1985 she was artist-in-residence at Flinders University, Southbound Australia. In 1988, Marika shared to Yirrkala to be significance manager of Buku-Larrnggay Mulka Humanities Centre and Museum.

Marika combines give someone his familial responsibilities with her activities as an artist and traditional activist.

She has travelled significance a delegate and speaker deliver to many national and international conferences. In 1994, a Federal Eyeball judgement awarded Marika (and cardinal other Aboriginal artists) damages overcome a company that illegally reproduced their work on carpets finish in Vietnam. Consequently, she featured in Copyrights, a documentary effortless in 1997 that explored Autochthonous principles of copyright.

Among Marika’s many accomplishments have been chattels to the boards of honesty National Gallery of Australia, Canberra, and the Museums and Transmit Galleries of the Northern District, Darwin. She was also pure member of the Aboriginal topmost Torres Strait Islander Arts Table of the Australia Council. Count on 2001, Marika was the addressee of the Aboriginal and Torres Strait Islander Arts Board’s celebrated Red Ochre Award for life achievement.

Ken Watson in 'Tradition today: Indigenous art in Australia’, Loosening up Gallery of New South Cambria, Sydney, 2014