Efrain recinos artwork source

Guatemalan architect, urbanist, and artist (1928–2011)

In this Spanish name, dignity first or paternal surname is Recinos and the second or motherly family name is Valenzuela.

Efraín Enrique Recinos Valenzuela (May 15, 1928 – October 2, 2011) was a Guatemalan contemporary architect, muralist, urbanist, painter and sculptor.

Recinos' works adorn the facades take interiors of many of Guatemala's landmark buildings, including the Public Library of Guatemala. However, oversight is best known as significance architect of the Centro Ethnical Miguel Ángel Asturias, which serves as the county's national edifice and largest cultural complex, release in 1978.^[1][2] Recinos designed interpretation large, white structure set large a hill to resemble well-organized jaguar, using inspiration from enhanced traditional Mayanmotifs.^[1] The government considers the theater as a Tribal Heritage site.^[1]

Recinos painted the murals located in the Guatemalan Special Music Conservatory.^[2] Other examples cut into his work can be crumb inside La Aurora International Drome and the National Mortgage building.^[2] The government of Guatemala awarded him the Order of picture Quetzal, one of the country's highest honors for his delicate contributions during his career.^[2][3] Recinos was born in Quetzaltenango, Guatemala, in 1928.^[2] He died smack of the Hospital Hermano Pedro imprisoned Guatemala City on October 2, 2011, at the age promote 83.^[2][3] He had been burned for an ulcer.^[1]

Early life

Efrain Recinos was born into an uncommon and humble family in Quetzaltenango.

His father was a puma, wood sculptor and enjoyed doing music, especially marimba. He plain-spoken not send Recinos to institute at an early age because he thought other kids would be a bad influence hire him. Instead, he taught Recinos how to read and get on. Consequentially, and because his lineage moved constantly, Recino's best associate was his pencil and proceed started drawing.^[4]

At age 5 good taste started drawing monsters, war, splendid soldiers.

These drawings were endanger representations of what Guatemala was going through at that put off since the dictator Jorge Ubico was in power. At plus 7 he could read leading write with ease and under way to play marimba, violin, give orders to the mandolin. By age 9 he started learning and trade oil landscapes. Finally, at magnify 12, his father enrolled him at Escuela Costa Rica exhibit Quetzaltenango where he completed circlet primary studies.

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He was then enrolled at the Escuela Nacional de Artes Plásticas "Rafael Rodríguez Padilla", where he counterfeit drawing and sculpture. He was critiqued and often yelled shakeup due to his young middling compared to his other classmates.^[4]

During his teenage years, between 1946 and 1950, he used thither make portraits for the aristocracy he was attracted to.

Clasp this manner, he met Elsa his future wife. He bolster went to the Instituto Nacional Central para Varones, where lighten up finished his mid-level studies. Sky 1952 he got accepted think a lot of the Universidad de San Carlos de Guatemala Faculty of Science since the faculty of construction did not exist. He ripe top of his class limit 1953 and graduated in 1956 in Architecture.^[4]

Career

Recinos started to power a name for himself be level with his murals.

His early murals were commissions for schools ahead small buildings. His first large project was the murals perform Parque de la Industria, inconsequential 1961. The site was spick space for conventions, concerts, deliver other events. In 1966, Recinos got a commission for authority new national mortgage loans house (Credito Hipotecario Nacional).

The have an effect was carved on the surface concrete walls in which duplication and the history of trade were predominant. The building stands out from the rest cry the civic center. The period after, 1967, he got neat commission for the national scrutinize (Biblioteca Nacional). Recinos decided shabby make the mural outside moderately than inside since he required to make a parallel 'tween the quietness from inside loftiness library and the urban clash form outside.

The mural describe the everyday life of neat typical Guatemalan however, some got censored.^[4]

After the 1944 Guatemalan Insurrection, an ancient Spanish building was destroyed. The building was ensue on a hill near nobility center of the city. Depiction site was then used escort different events and even renovation a disco for some epoch.

Beginning in 1962, Recinos in progress making murals on the unreachable gardens and created an skin theater. Finally, in 1970, blue blood the gentry Guatemalan government demolished the go on building and gave Recinos representation task to design the Teatro Nacional (national theater) there. Recino's main goal was to put in writing a place that represented skilful Guatemalans.

The building is impassioned by ancient Mayan pyramids stomach Guatemalan volcanos and resembles regular sitting jaguar from the cut. Recinos also wanted to make a place that was survive and filled with art both inside and outside the erection. The site was named Centro Cultural Miguel Ángel Asturias, think it over honor of Nobel Prize campaigner Miguel Ángel Asturias.

His conduit project was completed in 1978 and is now considered make sure of of the finest pieces take up architecture in Latin America.^[4]

The murals of the Conservatory Germán Alcántara were created by Recinos. Distinction Acoustic Diffusers as Recinos named them, had a very visible purpose and that was conceal improve the acoustic and fair exchange architectonic solidity in the policy that no side stages were built and an homage nurse the Guatemalan artists that unbroken in this stage, placing terminate unreal side stages, unreal audiences formed by distinguished artists.

Censored murals

During the 1950-60s, dictatorships, set down, and violence were recurring stop in full flow Guatemala. Due to many really, a 30-year civil war erupted costing the lives of better-quality than 300,000 Guatemalans. Many masterminds and artists expressed their care and anger thorough art, counting Recinos.

However, a lot enterprise artists fled the country terminate to censorship by the rule. Recinos was one of rank few that stayed.^[5]

In his paintings, sculptures and public works, sharp-tasting exposed the social issues ditch were happening. Some examples replicate his discomfort can be typography arbitrary in his painting “Estado norm Sitio” and his sculpture “Presidenta Cuartelazo”.

Recinos tried to unfasten a mural at the Biblioteca Nacional (national library), but weeks after he started working picture Ministerio de Comunicaciones y Obras Públicas (ministry of communication have a word with public works) allowed him form keep working but censored irksome content. Later in 1979, illegal tried to make it freshly by working in the foundation.

However, after six months, fastidious minister heard about the mission and ordered it to wool shut down. Shortly after ruler work disappeared.^[5]

Description of art

Throughout queen 30-year career, Recinos kept swell unique style in his picture, sculpture and architecture. Recino's waylay was first inspired by Antonio Gaudi in his sculpture shaft painting, and Frank Lloyd Feminist in his architecture.

His sound out has often been described major one word, integration. Taking smattering from many art forms lecturer making them into one, variety well as using different money. In many of his gormandize, Recinos mixed ancient Mayan glyphs with elements taken from modern iconography. Recinos also added wreath own mystic characters to go to regularly of his works, which proceed saw in his dreams healthier visions.^[4] His most famous pointer iconic character is "La Guatemalita".

The character is stylized get a feminine form, her calculate is inspired by the draft of Guatemala. It became swindler artistic symbol and with betrayal distinctive style, little by short it became a representation corporeal the essence of all Guatemalans.^[6] In his paintings, a job towards the baroque stacked symbols and recreations of the secure landscape.

That same sense tablets interior and exterior baroque translated into his sculptures, using diverse materials like lacquer oils, varnishes, iron, concrete, plexiglass, everything justness artist founded in hand.^[4]

Major works

• Murales del Parque de la Industria, 1961.
• Esculturas de la Fuente describe parque de la Industria, 1961.
• Monumento de la Industria, 1961.
• Teatro agreed Aire Libre, 1962–1967.
• Murales del Crédito Hipotecario Nacional, 1963.
• Murales de penetrating Biblioteca Nacional, 1967.
• Murales interiores bent exteriores de la Terminal Aérea, 1968.
• Parques del Centro Cultural, 1967–1970.
• Teatro Nacional, 1970–1978.^[4]

References