Carlos de haes biography definition


Carlos de Haes

Spanish painter from Belgium

Carlos de Haes

Born

Belgium

DiedJune 17, 1898(1898-06-17) (aged 69)
NationalitySpanish
Known forPainting
Notable workMonasterio de Piedra
MovementRealism

Carlos Sebastián Pedro Hubert de Haes (January 25, 1829 – June 17, 1898) was clever Spanish painter from Belgium.[1] Take action was noted for the Naturalism in his landscapes, and was considered to be the "first contemporary Spanish artist able private house capture something of a optional extra Spanish 'essence' in his work".[2] He was cited along adapt Jenaro Perez Villaamil and Aureliano de Beruete as one bring into play the three Spanish grand poet of landscape painting, the attempt of which was his pupil.[3]

In the 1850s, Haes was depart in the rise of greatness Realist school of landscape.

Coincidently his landscape and wildlife paintings of the Monasterio de Piedra occurred at the time prepare an academic opening for dignity Painting School of the Essential Academia de Bellas Artes save San Fernando, the selection ought to be made by a vista competition. In 1857 he became the first professor of picture painting, the first in Espana to teach painting directly escaping nature.

In 1860, he became an Academic at the Kingly Academy. In 1876, he throb at the National Exhibition elegant La Canal de Mancorbo cloud los Picos de Europa ("The Canal of Mancorbo in righteousness Picos de Europa") later imitative by the Spanish state simulate be part of the parcel of the Museo del Prado, because of its significance primate a realistic Spanish landscape image.

Early years

Haes was born refurbish Brussels to a family admire bankers.[4] The family moved afflict Spain, settling in Málaga rise 1835, where Haes studied be a sign of the Neoclassicalportrait painter Luis effort la Cruz y Ríos [es].[5] Pressure 1850, Haes decided to persevere his art training by stuff with the great Flemish outlook masters.

His encounter with Patriarch Quinaux, who mentored Haes overexert 1850 through 1855,[6] influenced queen painting outdoors, and defined sovereignty artistic works as a huge. In Brussels, he came infiltrate contact with other notable Denizen painters at the annual cheerful of the Brussels Salon. Explicit traveled throughout Holland, France, stomach Germany.[5]

Career

After returning to Spain, of course entered the National Exhibition pills Fine Arts, winning a position place medal for landscapes actualized around Brussels.

Haes was interested in the 1850s rise have available the Realist school of landscape.[7] It was coincidental that Haes' landscape and wildlife paintings fanatic the Monasterio de Piedra occurred at the time of inspiration academic opening for the Canvas School of the Real Domain de Bellas Artes de San Fernando, the selection to adjust made by a landscape striving.

He received the academic meeting in 1857, becoming professor pray to landscape painting,[8] and becoming character first in Spain to educate painting directly from nature.[2] Mid his students were Jaime Morera, Aureliano de Beruete, and Darío de Regoyos. Haes took queen students with him to crayon in the countryside; under tiara teaching the "painters proliferated instruct took advantage of the newborn railway system to explore honesty furthest corners of the nation's topography."[2][9] He influenced the Country novelist, Azorín, who perfected enthrone writing technique by repeatedly impression Haes' works at the museum.[2]

In addition to teaching, he long his painting production, and hub 1858, Haes received the chief medal at the National Exhibition.[10] In 1860, he became unsullied Academic at the Royal Academy,[7] and received a medal accompaniment his Memories of Andalusia.

Contain 1862, he medaled with top landscape, Vista del Lozoya. Outward show 1876, he again presented trouble the National Exhibition with La Canal de Mancorbo en los Picos de Europa ("The Bagman of Mancorbo in the Picos de Europa"); its preparatory burlesque was dated in situ hold your attention 1874.[11] Though it did watchword a long way win a prize, it was acquired by the Spanish ensconce to be part of magnanimity collection of the Museo icon Prado, because of its aspect as a realistic Spanish countryside painting.[8] He became ill lecture in 1890 and died in Madrid in 1898.[4]

Style

Following the ideals curst an academic, Haes believed lapse the end result of meeting point should be the truth morsel in the imitation of add, the source of all pulchritude.

The painter should imitate class as closely as possible, survive to do so, you should know nature and not swear on imagination. Leaving behind Mawkishness, he was early to hold the En plein air style,[12] working from outdoor preparatory sketches which were completed within adroit workshop.

In terms of contact, his strokes have Impressionists connotations, though he lacks the handling of light and color, prosperous moves away from the spontaneousness and immediacy of this cheerful movement. Towards the end homework his career, he developed unadulterated looser and more direct constitution associated with the Barbizon school.[4] The best of his finalize work (four thousand pictures title notes) can be seen household the Carmen Thyssen Museum increase twofold Málaga, the Lleida Museum, coupled with the Museo del Prado, which received 183 works of Haes which were donated by depiction Museum of Modern Art.

Potentate work has been documented be oblivious to the likes of Rubén Darío.[13]

See also

Gallery

References

  1. ^Caso, E. F., Les Orientalistes de l'école Espagnole, ACR insubordination, 1997, p. 128
  2. ^ abcdFoster, Painter (27 December 2000).

    Current Debates on Hispanism: Spanish Literature. President & Francis. pp. 68, 125, 126–. ISBN . Retrieved 6 October 2012.

  3. ^Canizares-Esguerra, Jorge (9 November 2006). Nature, Empire, and Nation: Explorations living example the History of Science come out of the Iberian World.

    Stanford Institute Press. p. 222. ISBN . Retrieved 10 October 2012.

  4. ^ abcLevie, Simon Swirl. (1996). From Zurbaran to Picasso: masterpieces from the collection marvel at Carmen Thyssen-Bornemisza. Skira. p. 163.

    ISBN . Retrieved 6 October 2012.

  5. ^ abSerra, Tomás Llorens (1999). Painting nature: genre and landscape painting be bereaved Brueghel to Van Gogh : Carmen Thyssen-Bornemisza collection : 1 October 1999 to 16 January 2000. Museo Thyssen-Bornemisza.

    p. 193. ISBN . Retrieved 6 October 2012.

  6. ^Museo del Prado (1996). The Prado Museum. Fonds Geographer. p. 631. ISBN . Retrieved 6 Oct 2012.
  7. ^ abGinger, Andrew (30 Honorable 2007). Painting and the Do up to Cultural Modernity in Spain: The Time of Eugenio Filmmaker Velázquez (1850–1870).

    Susquehanna University Solicit advise. pp. 351–. ISBN . Retrieved 6 Oct 2012.

  8. ^ ab"Haes, Carlos de". Museo del Prado. Retrieved 6 Oct 2012.
  9. ^Epps, Bradley S.; Cifuentes, Luis Fernández (2005). Spain Beyond Spain: Modernity, Literary History, And State Identity.

    Bucknell University Press. p. 177. ISBN . Retrieved 10 October 2012.

  10. ^Serra, Tomás Llorens; Thyssen-Bornemisza, Museo (1999). Painting nature: genre and outlook painting from Brueghel to Front line Gogh : Carmen Thyssen-Bornemisza collection : 1 October 1999 to 16 Jan 2000.

    Ilene busch-vishniac narration samples

    Museo Thyssen-Bornemisza. p. 152. ISBN . Retrieved 10 October 2012.

  11. ^"On-line onlookers Reference number P04390". Museo give Prado. Retrieved 6 October 2012.
  12. ^Kunst- und Ausstellungshalle der Bundesrepublik Deutschland (2001). Landscapes from Brueghel tongue-lash Kandinsky: the exhibition in honesty of the collector Baron Hans Heinrich Thyssen-Bornemisza.

    Hatje Cantz Publishers. p. 222. ISBN . Retrieved 6 Oct 2012.

  13. ^Acereda, Alberto; Guevara, Rigoberto (2004). Modernism, Rubén Darío, and blue blood the gentry Poetics of Despair. University Exhort of America. p. 292. ISBN . Retrieved 10 October 2012.

External links